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January 28 2012

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Jim Linderman Photography Collection Book Reviews

Arcane Americana Photographs from the Jim Linderman Collection



I am proud the new book ARCANE AMERICANA was mentioned on Boing Boing, and also welcome any new followers here from the review. Book is also chosen as Blurb Best Book of the Week Review HERE

Feel free to follow VINTAGE SLEAZE and old-time-religion as well!

Copies of the book or ebook for iPAD can be ordered HERE or by clicking the cover over on the right. 120 Pages. Thanks!

December 08 2011

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Glamour Photography of the Sexist Fifties? The Worst

An essay by Jim Linderman from the daily blog VINTAGE SLEAZE

Misogyny Photography Glamour Photography Magazine Packs a Trailer and Takes a Trip Vintage Sleaze






There were only five issues of Glamour Photography, but I am not sure if I should be grateful or not. Number one was from Fall 1954, back when, apparently, goons would drive around while photogenic opportunities literally fell from the trees or came stacked like cord wood in a trailer.

"Glamour Studio on Wheels" was an early incarnation of the "man with van" theme, and sure enough, in one issue photographers Duane Tasker, Harvey Turtz and Ben Willard embark on a cross country hunt with gear and gals stowed in a primitive U-Haul. Advice for photographers includes "The Art of Picking up Female Hitchhikers" and "Shoot me Tender" along with a map showing a route across the country.

California here we come!

The remarkable paintings were done by R. Pesoto, and as you can see, based (sorta) on reality. They are crammed in there like a Tokyo subway! Click to enlarge and give them some breathing space!

Models participating in the magazine were Jayne Mansfield, Mamie van Doren, Anita Ekberg (the usual suspects) and one Corky Silver.



Glamour Photography number three reprises the "beauty by the roadside" scenario, but adds a particularly brutal and misogynistic "Strange Case of the Dead Model" layout for those who might find that glamorous. Another issue is notable for having a model standing on her head (with the byline "Why Girls Flip for Photographers" and adding "Teenage Beauties" on the rear cover in "Tyco Label Maker" text just like the shutterbug would use on his shoebox of negatives.

Glamour GIRL Photography quickly filled the vacuum a year later with the cover story "How to Stalk Pretty Picknickers" as though they were game. Lasting only two issues, it was published by "Dingbat Publications" (!) on the West Coast, so maybe the photographers stayed out there after the drive?





There ARE some beautiful and striking photographs contained in these issues, but I do not think I have to go out of my way to "be fair" given the super sleazy editorial slant. Jeez...I hate to say it, (shudder) but Andrea Dworkin may have been right!



An essay by Jim Linderman from the daily blog Vintage Sleaze

Dull Tool Dim Bulb / Vintage Sleaze books and download orders HERE

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When Big Boob Cartoonist Bill Ward went Black Ward draws for Duke the African-American Pin Up Magazine

Bill Ward Goes Black (!) 1957 Greatest Moments in Vintage Sleaze #5





How did big basoom artist Bill Ward come to create his busty babes in black for the first issue of Duke Magazine, the only African-American Pin Up magazine of note from the 1950s? Well, first of all, he drew them under his pseudonym "McCartney" which was probably a good move, as the same year, 1957, African-American children were being denied the right to attend white schools in Little Rock and at least one parent of the children had a Ku Klux Klan cross burned on his front yard.

To Bill Ward's credits, we can now officially add civil rights advocate! And you thought he was just a pervy cartooner. Guess what? It appears African-Americans are just like us, at least as far as sleazy big boob jokes go. Thanks Bill, for being so far ahead of your time you could have been jailed in the South! (And for showing us all is equal when it comes to sexist cartoon gags.)

Great stuff here from the premier issue of Duke Magazine, which I have discussed before HERE.

Also of interest is the book SECRET HISTORY OF THE BLACK PIN UP which is now available as a $5.99 download for iPad and IPhone HERE


Greatest Moments in Vintage Sleaze is a once in a while entry on Vintage Sleaze HERE by Jim Linderman. The first entry documents Candy Barr's visit to the Warren Commission.

First Issue of Duke Magazine June 1957 collection Victor Minx
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Were there Black Pin Ups ?  Combining rare images and magazines from the early days of soft-core porn and pin up magazines, Jim Linderman looks for the elusive woman of color from the early days of smut and finds quite a few.  The first book on African-American pin-up models and the racist and sexist world in which they found work.  The Secret History of the Black Pin Up is  Available for the iPad and iPhone HERE for $5.99. 
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Amazing Boy Preacher of Kentucky

Ablest Exhortation of Boy Preacher Paschl Porter CDV Photograph Collection Jim Linderman



Paschal Porter was born 1877 at Bee Camp (a settlement of four log cabins) on the Ohio River in Indiana. He was one of the few literate members of the community. He announced his desire to be a preacher at age five. By age eleven he was touring the country and beyond with his father and his manager Mr. Bingham. I say "beyond" as the boy preacher was a hit in Canada as well as the states.

The St. Andrews Bay Pilot March 15, 1888 reports on what much have been a typical performance. "Paschal Porter, the wonderful child revivalist, of Indiana, who is now only 11 years old, recently preached a sermon, in the Baptist Church at Williamstown, Ky., that astonished everybody who heard it. The pastor of the church says that he has read sermons on the same subject delivered by the ablest preachers, but not one of them could compare in power or in elegance of diction with the boy's exhortation."

Additionally, the Ashburton Guardian of November 24, 1888 reports "Among the coming sensations from America we to have a "pulpit tour" by a boy only 11 years of age, called the Rev. Paschal Porter. His eloquence is said to be such that thousands sit and listen to him for hours, while he preaches the most brilliant and profound sermons." The best copy on the little fellow is from the Little Falls New York Evening Times of March 21, 1888, which reports "So extraordinary are his powers that Simeon Marks the leading Hebrew of the village is so impressed the he almost believes little Paschl is the "Messiah for whom his race has so long waited."

I'm not going to argue with Mr. Marks, who was there (several times..it is said he attended many sermons) but as the Paschl trail ends in 1888, I am going to surmise he was not the second coming.


Original CDV Photograph by J.Q. Barloup, Williamstown KY with affixed newsprint and handwritten notes, 1888. Collection Jim Linderman

A post here on Dull Tool Dim Bulb AND old-time-religion.

See also Old Time Religion: Faith Healers, Miracle Men, Radio Preachers and Evangelists! Graphics of Revival, the Apocalypse and the Afterlife by Jim Linderman NOW AVAILABLE AS AN EBOOK AND IPAD DOWNLOAD for $5.99 as well as paperback and hardcover.
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Vintage Sleaze Paperback Corsair Books Complete: A Bibliography



CORSAIR BOOKS AND VINTAGE SLEAZE PAPERBACKS by JIM LINDERMAN of VINTAGE SLEAZE THE BLOG

Reuben Sturman was a real sleaze. He looks nice enough in the two or three photographs he allowed without a disguise, and there are many delightful stories about his life, loves and prison escape... but he was a creep, crass, criminal and connected. Anytime a Wikipedia profile links externally to the "Gambino Family" we probably have a slight problem, so lets get that out of the way. If you want "good" publishers, I dunno...read McGraw-Hill.

Search up any of the hundred smut titles periodicals he published and distributed under his WWNC logo. There are interlocking companies, churning printing presses and more "product lines" than one person could begin to figure out, much less show. So here we take a look at just one teeny tiny part of his worldwide bile empire. Like the experts at the Metropolitan Museum of Art who have spent their entire lifetime studying only the pottery produced from A.D. 500 to 600 by the Mayan Tribe of the Campeche Coast (the rattles, not the idiophones) I am only going to try to unearth one tiny specific hunk of the dirt landfill. Where most of these books are today, trust me.

Corsair books. Such a small part of his business he probably hadn't even heard of them. I don't own them and for the most part, never did. One or two here and there...so I am cribbing most the images from the web. Which is good. First of all, they are so offensive I don't want anyone to actually SEE them...I just want to give you a bit of colorful flavor! Plus, my blog is safe for work, it just appears not to be on occasion. So rather than clearly showing the confused insanity of Gene Bilbrew's later work which graced the covers of 13 of them, just use your imagination and trust they are every bit as goofy as they look.

You probably missed Corsair books while shopping for a travel read. That's because you had to enter one of Reuben's emporiums to buy one. That meant driving just outside of town to the abandoned shop turned adult boutique. You would recognize it easily...it had been painted purple, and there was an unmarked police car across the street with a bored cop being punished for losing his gun taking photographs with a telephoto lens. Best circle around and park in back.

While the city mothers were trying to ban Playboy from the shelves downtown, Reuben was doing a brisk business indeed just over the city limits with the real trash.

You won't find a bibliography of these books in the standard reference sources like Graham Holroyd's Paperback Prices and Checklist. Why? Look at them for gawd's sake! (Squint) One of them has some kind of goat man in a throne!

Corsair published 16 books with the typical care of any Sturman product. Which meant little care. They would come out on schedule, one after another, with a splendid if extremely demented Bilbrew illustration, then BAM here comes one with a photograph of some goober's face on it. What the...?

A few more. and then a cover illustration by an unknown milk toast who could as well have been doing beer ads for Life magazine, or the covers of the Dell and Bantam books downtown.




At least the rest are properly glorious and horrendous Bilbrew covers. Some exceptionally so.

The mystery is that one number was apparently never printed! The elusive number 204. Like a formerly thought extinct bird in Brazil some peeper might take a fuzzy photograph of someday. If you have it, have seen it or know what it was, write in.

As for the authors, you'll recognize some of their pseudonyms, and another my research has revealed, but I would never read them anyway. The covers are far more filthy than the contents, and I only read non-fiction. If you REALLY have to see these covers, use your loupe.














COMPLETE LIST OF CORSAIR VINTAGE SLEAZE PAPERBACK LINE
201 FLESH PARADE by Jack Wood (Unknown Illustrator)
202 THE TIME OF YOUR LIFE by Bob Markham (Bilbrew)
203 SEX IMPOSTER by Russ Trainer (Bilbrew)
204 Missing in Action or Never Printed
205 RUBBER GODDESS by Lana Preston (Bilbrew)
206 HOT PLEASURES by Wolf Larkin (Bilbrew)
207 INFERNAL AFFAIR by Dan Powers (Bilbrew)
208 CARNAL CLINIC by James N Berwyn (Unknown Illustrator)
209 THE HOT ONES by Don King (Bilbrew)
210 SEX HOSTAGE by Ken Gardner (Bilbrew)
211 NO MIDDLE WAY by Rick Dalton (Cover photograph)
212 LOVE LOTTERY CLUB by Lana Preston (Bilbrew)
213 PASSION BEACH by Reggie Carr (Bilbrew)
214 SWASTIKA SEX CULT by David W Gordon (Bilbrew)
215 LEATHERED LASS by Lana Preston (Bilbrew)
216 SWAPPING SOCIETY by Jack Woods (Bilbrew)
217 NEIGHBORLY LOVE by Frank Eaton (Bilbrew)

BY JIM LINDERMAN from the Daily Blog VINTAGE SLEAZE

December 06 2011

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What is Vintage Sleaze ? 2 million hits on the True History of Smut

Vintage Sleaze approaches 2,000 Facebook Followers and 2 Million Hits


As we grow to 2000 Facebook followers (and 2 million hits) I thought to restate the purpose and scope of Vintage Sleaze with the new year. I wrote the following when starting the site. Thanks all! Share with friends!

Vintage Sleaze the daily blog discovers forgotten artists of the past who worked in the somewhat dicey but hilarious early smut market. Colorful, funny and often touching, writer, collector (and Grammy™ nominee)Jim Linderman writes the text using the vintage cartoon gag, limp-core smut and risque novelty collection of Victor Minx as a starting point for examinations into the sexy and sexist days of girlie magazines, gag digests, back page scams and sideshow midnight rambles. Early strippers, models, illustrators, artists, photographers, mob-connected publishers hire amphetamine driven writers (many posing under pseudonyms) and all mingle together in an amazing orgy of the funny and often fetishistic follies of the fifties. Linderman is able to balance the line between the profane and the profound easily, as the backyard erotica of the time was tame compared to today. Tease and trash your ancestors refused to admit existed (but bought in huge piles anyway.) From Tijuana Bibles and inept snapshot salesmen to party toys and risque postcards, the site shows it all with delicate and affectionate respect and humor. A entire generation of artistic smut was rightly eliminated by the women’s movement but there was a glimmer of merit in the dark corners. Linderman aims to find it and makes no apologies, and in fact many of the followers of his site are women. Like a reporter, he digs it up and shares without judging. He frequently receives mail from relatives of those he profiles and most seem happy to have had the work of their ancestors found again and appreciated. Vintage Sleaze runs daily until he runs out!

There is a Saturday night, Sunday morning logic to Linderman’s madness…his first project was the Grammy™ nominated Take Me to the Water: Immersion Baptism in Vintage Music and Photography, a collection of antique photographs and gospel recordings of the religious ceremony (with Dust to Digital and the original photographs donated to a major museum) and Camera Club Girls which published over 100 never before seen hand-painted photographs of Bettie Page and her friends taken by previously unknown New York amateur photographer Rudolph Rossi. With a talent for finding the obscure and bringing it back, Vintage Sleaze shows the possibility of the blog as an art form while bringing attention to an entire generation of lost and neglected artists who worked in the underbelly of culture.

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Green Green Ghosts of Home by Jim Linderman

The Green Ghosts of American Comics Group Ghostbusters Logos Labels and the Rules of Green Death by JIM LINDERMAN on DULL TOOL DIM BULB the DAILY BLOG









There is a green ghost in Ghostbusters. Both the original, and presumably the next one. Hollywood has a clock hidden behind that sign on the hill telling when to cash in again.

A far more interesting green ghost to me is the one which appeared, in nearly every issue, shape and form, in the curious and highly entertaining series of comic books produced by almost-big publisher American Comics Group. Active during the Golden (and Silver) age of comic books, the publisher skirted Kefauver's censors but never really made the big time. They had a general line. Goofy characters, "funny" animals, romance for the girls... but the real stuff was their line of suspense and horror. Adventures into the Unknown. Forbidden Worlds. Unknown Worlds.

Virtually every issue had a transparent green ghost. It had to have been company policy. If it was alive once and dead now, it was green and you could see right through it.

I used to work near a news morgue. Files upon files of clippings about celebrities. Every archive has a system, and ours was when someone died, their file got a green tag. No one knew why, but it was the rule. So much so that we came to call any celeb who dropped like a dead weight "green." Every morning we would meet and say "A Gabor sister is green" or Marlon Brando's kid is green'" then go to collecting credits for the obit.

It seems odd the color most associated with life could used for death. Even (literally) slime-covered conglomerate British Petroleum hijacked the color not long before ruining the Gulf Coast...a logo which bit them in the ass for a while, but I see they are using it still. Good for them. That logo will always mean "oil spill" to me, but if it works for them, fine. I'm not using their stations until they trick us with a "relaunch" and a new brand no matter how many times they run happy faces hiding desperation. I'll visit the Gulf, but I won't buy your gas OR your claims.

By the way Aflac? That's not Gilbert in there, and all the money you spend hoping I will forget you fired the funniest comic in America won't make me forget it. Drop the duck. The last ad they ran had THREE voices and they still didn't equal one Gilbert.

The other cute characteristic of American Comics Group was their little bylines with a tiny drawing of the writers and inkers. For example Lafcadio Lee, shown below as the proto-beatnik he probably was. Lafcadio didn't exist, but his secret identity was Richard E. Hughes, editor of the line for over 20 years. He wrote most of the stories too. He was so prolific he needed ten names: Pierre Alonzo, Ace Aquila, Brad Everson, Lafcadio, Lee Kermit Lundgren, Shane O'Shea, Bob Standish, Greg Olivetti, Kurato Osaki and Zev Zimmer.



Sadly, American Comic Group went green too...and it wasn't a pleasant death. Their last days were spent churning out industrial comic crap for Montomery Ward, Tupperware and the Air Force.

November 02 2011

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Japanese Comic Men's Magazines Long Forgotten by Jim Linderman

Early Japan Pulp Magazine Arabian Night by Togenshiya Vintage Sleaze Japanese Pre- Henti Pre- Manga Pre-Anime Post Shunga















Interesting, and quite scarce, vintage sleaze magazines from post World War Two Japan. Several 1948 issues of the monthly Japanese pulp magazine "Arabian Night" by Togenshiya. These would have been somewhat taboo at the time, I assume, but surprisingly each monthly issue is a whopping 130 pages and professionally done. Entirely in Japanese, and quite beautiful (as is virtually anything on paper from Japan in the years immediately after World War Two). I was surprised at the amount of fetishistic and bondage images. In retrospect, of course, the gag magazines and girlie magazines in the United States featured the same, but I wonder if Western influence from the US occupying forces after the war both encouraged (and served as a market for) the photographs included within the magazines.

The magazine is like our pinup magazines, though color is sparse and the print quality lacking. The beauty is in the design. What must have been rudimentary printing operations by comparison is compensated by layout and beautiful fills. There is even a considerable amount of cartoon gags just like our men's smut mags, most of them on special pink cartoon pages a group of which are included here. A strange pastiche of illustrations which appear to be by several artists, some influenced by long familiar anonymous erotica, others who knows. Strange, and that might have been the point.

Japanese bondage and rope tying has long been an art, which I did not know and why I was surprised to see such images in an "over the counter" pulp magazine. I was familiar with Shunga prints of course, and the later henti, manga and anime forms...maybe this forgotten periodical played an "in-between" role.

There is nothing on the web about the magazine, but then I can not enter Japanese characters. A few cover pages are here as well, if one of the Japanese readers can provide information, feel free.

There is considerable editorial content in each magazine...photos, line drawings and much more. Quite remarkable and I would enjoy knowing the history and if anyone else has copies of these magazines. I fuzzed out the cover a bit to make it less inappropriate for moms.

Browse and Order DULL TOOL DIM BULB BOOKS HERE
 
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Farms aren't Funny anymore The Cartoon Gags of Roy Carling R.I.P.

On the Cusp of Extinction Roy Carling Captures the Family Farm in Comics and Cartoons









Roy Carling captured the family farm right on the cusp of extinction. Roy was born in 1918 and lived to 2009. I purchased some 100 of his original cartoon drawings recently at a flea market and am just getting around to reading them. Roy lived and worked in Howard City, Michigan.

Family farm. A term which evokes pleasant memories even if you never worked on one.

You won't see any gags by Roy about Listeria or E. coli outbreaks from somewhere affecting folks ten states over. There are no jokes about recalls or "lot numbers" to watch out for. Back when Roy was doing his farm gags, crops traveled to the market down the road, not across the country. Each cow had an affectionate name, and when she gave birth the calves got names too...(they sometimes even talked!) Property was bought and sold by the acre, not the million hectacres.

Monsanto, patent owner of the genetically modified seeds everyone has been forced into relying on today evokes no pleasant memories, nor do any of the other "agri-business" companies now holding us and our elected officials by the turnips.

In Roy's work you will see chickens strolling freely and stopping to peck at a feeder. You see they had beaks then, they weren't clipped off to prevent fights in the factory. Today, Roy's chickens would be known as "free-range" as if that is something strange.

You will see a farmer trying to figure out how to use his new combine, or getting his tractor repaired, or discussing the new "hired man". One man...who negotiates his monthly wage while the farm owner rolls in the dirt laughing.

Junior is asked to open his piggybank for the next tractor payment. A farmer marvels at his new "six-row" tools. The big day is when the "poultry buyer" drives up while the wife gathers eggs and junior receives his allowance. One farmer here brags that he has doubled his flock size from 40 to 80 birds.


Roy depicted the world he knew, and that world had neighbors loaning their barbwire stretcher to each other. The "milk tank" springs a leak and the barn cats have a feast. A local eccentric stacks his chicken cages in piles of four. FOUR. Have you seen a chicken factory of late? Chicken skyscrapers. In fact they don't WANT you to see them. Long buildings back from the road with no signs...just enormous fans to remove the smell and warnings from a distant conglomerate to keep away. I can remember an elementary school with a visit to a farm. Not anymore.

Roy didn't know he was capturing the death of the family farm. In his work you see the silos getting bigger, the owners worried about being bought out, the first experience with breeders and traveling seed salesmen and putting up a barn sign as it changes ownership. The hardworking family imagines a bright future with "atomic" powered tractors. The availability of "new crop varieties" gives the wife a chance to argue for a new hat. After all, if corn comes in varieties, why shouldn't her wardrobe?





Roy Carling numbered each cartoon and saved a few of the publications they appeared in. The newsletter of the Central Ohio Breeders Association runs Roy's gag with a farmer holding his hat out for donations while leaving the local IRS office. The New York Breeders Cooperative runs his "cow a minute" gag. Roy saved a letter from Land O Lakes asking for a turkey cartoon for the thanksgiving issue.

Farms are not funny anymore.

Original, hand-drawn gag cartoons by Roy Carling, circa 1960-1975 Collection Jim Linderman

DULL TOOL DIM BULB BOOK AND EBOOK DOWNLOAD ORDERS HERE

November 01 2011

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Eric Stanton and Eugene Bilbrew Fantasy in Fashions Selbee

Eric Stanton Eugene Bilbrew Fantasy in Fashions The Rare Digests #17


A most obscure product from the House of Lenny Burtman 1962. Eric Stanton Cover with Inset by Eugene Bilbrew. 64 pages and loaded with drawings by each artist, as well as a self-portrait of Eric Stanton trying to concentrate. I do not believe there was a second issue, but then this one was hard to find, so it is possible. The Fantasy fashions are modeled by Rita De Farge, Juanita Hayes and Pat Benson (as well as some without names) but the real surprise is the Bilbrew "trip around the world" with A space woman, a cowgirl (The Black Bandit) The New Russian Woman, L'Apache (French) an Italian and a "maiden of the Nile" each a full page with a story. Burtman was at the time using the Selbee imprint with an address on Broadway, NYC.

THIS IS NUMBER SEVENTEEN IN THE SERIES 'THE RARE DIGESTS' ON VINTAGE SLEAZE THE BLOG. Small essays on hopelessly obscure and scarce soft-core publications of the 1950s. Enjoy them All!



Please note the following Vintage Sleaze books are now available as Ebooks for the iPad from the links here, each only $5.99

SMUT BY MAIL : VINTAGE GRAPHICS FROM THE GOLDEN AGE OF OBSCENITY Pre-dating the sloppy graphics of the punk aesthetic by two decades, the ads, brochures and come-ons of the golden age of mail order smut were produced in basements, attics and print shops after hours. Collector Jim Linderman places the hundreds of images from his archive in the now absurd context of failed obscenity battles and censorship trials of the 1950s and 1960s. Funny now, and dated as well, the book stands as a testament to hopeless attempts at suppression of the forbidden female form…and the lengths to which men would go to glimpse it. Not to mention the politicians to who used censorship for political hay. Jim Linderman’s book Smut by Mail is 160 pages of brochures, advertising samples, vintage graphics and more all “designed” to squeeze a money order out of the average Joe. They worked…BIG time.

Now available as a download ebook for the iPad HERE


CAMERA CLUB GIRLS BETTIE PAGE HER FRIENDS AND THE WORK OF RUDOLPH ROSSI
For over 50 years, the extraordinary Hand-Painted Original Photographs of Bettie Page and nude models of the 1950s taken by Rudolph Rossi lay hidden. Now, for the first time, over 100 have been published in Camera Club Girls by Jim Linderman. 114 pages, 35 pages of text and 180 pictures, the book tells the story of the informal groups of early camera enthusiasts in New York City who paid ten dollars each to photograph naked women, including Bettie Page, in dingy studios and outdoor excursions. As much the history of early erotic photography and Times Square smut as it is the story of the exceptional personal vision of an artist, master photographer and painter which has not been told until now.
Now available as a download ebook for the iPad
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Mug Shot Stag Film Vintage Smut History

Know Your Pornographer Stag Film Projectionist 1953 Mug Shot


CLICK TO ENLARGE

"Settle down fellas...we'll get this show going as soon as Bobby gets it rolling."

Stag Film Projectionist Mug Shot 1953 Collection Jim Linderman

SEE ALSO SMUT BY MAIL: Vintage Graphics from the Golden Age of Obscenity by Jim Linderman
    Now Available in eBook for iPad from Blurb.com 
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Salesmen of Death Tobacco Dealers Early Photographs

Merchants of Death Camel Cigarette Pushers circa 1935 Vernacular Photographs Collection Jim Linderman




Spreading black death with every stop, a slimy pair of smoke addicted mugs travel the country sharing their misery with others. They don't use gangsters anymore (well, not gangsters, but certainly the kind of traveling salesman one would hide their daughter from.) Now they use sophisticated "advertising agencies" to trick the young. I have always thought pushing tobacco was the lowest morally an individual can sink. It was true then, it is true now. Committing slow murder with every stop.

Set of Original Snapshots, circa 1935 "Traveling Tobacco Salesmen" Collection of Jim Linderman

DULL TOOL DIM BULB BOOK CATALOG HERE
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Worst Postcards in Modern History Risque and Anonymous

Horrible Handmade Postcards by Anonymous Dull Tool Dim Bulb Books












An anonymous artist aspiring to the lauded tasteless heights of the postcard industry creates an enormous but putrid body of 3" x 5" risque cards somewhere during the late 1960s. Unearthed by Jim Linderman, noted scholar of all questionable and ephemeral artistic creations, they are presented in all their glorious colored pencil quality.

The tons of commercial risque postcards which clogged tourist sites and the U.S. Mails recycled the same 25 jokes over and over, so did our amateur. What sets his work apart is the consistent ineptness! You want "low" art? It seldom gets any lower.

What was the artist thinking? He was thinking of cashing in on an industry which produced well over a million cards a year. A touching attempt at greatness. With skill not quite equal to the great cocktail napkin artists of the past, his work stands as testimony to the poor taste of his more successful peers. All that is missing is the rejection letters.

70 pages full-color 16.95 in paperback browse and order HERE

By Jim Linderman, editor of the DULL TOOL DIM BULB and VINTAGE SLEAZE blogs.
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African-American Pin Ups The First Book on Women of Color from Tease to Sleaze

Available as an eBook for iPad or Hard Cover


NEW FROM DULL TOOL DIM BULB BOOKS

Intrigued by the question "Why aren't there any black pin up girls" on an internet message board, writer Jim Linderman decided to find out. With 100 rare vintage photographs all showing women of color in magazines not seen for over 50 years, Linderman not only reveals many answers to the question, he reveals a long gone part of America and African-American culture. Secret of the Black Pin Up takes us from "tease" to "sleaze" and reveals a world never before seen. Using rare photos and publications, the untold story of African-American women in the soft-core pornography world from 1940 to date. Yes, there WERE black pin ups, and they are found HERE.



$22.95 Paperback 120 Pages Over 100 Photos


FREE PREVIEW of the New Book HERE
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Use of Backdrops in Early American Photography


Folk Art Tintype Background and Backdrop Naive and Primitive



NOTE: THE BOOK "PAINTED BACKDROP: BEHIND THE SITTER IN AMERICAN TINTYPE PHOTOGRAPHY 1860 - 1920" by JIM LINDERMAN is now AVAILBLE AS A DOWNLOAD FOR APPLE IPAD AND E-BOOKS
HERE








For me, the most beautiful tintype photographs are those which do not aspire to be something greater than they are, those with elaborate Victorian backdrops and over-decorative props. Far more beautiful, and representative of the times, are the makeshift, naive and primitive hand-painted backgrounds done by the amateurs and rudimentary early photographers. Traveling camera men who needed to control the background but enhanced a sheet of muslin, not silk.

Set of Folk Art Tintype Backdrops Collection Jim Linderman circa 1870-1880.

SEE ALSO THE BOOK THE PAINTED BACKDROP BY JIM LINDERMAN HERE
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July 03 2011

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Bill Wenzel before Humorama

Bill Wenzel PRE- Humorama

Bill Wenzel Early Cartoons Wonderful Comic Work of Wenzel Vintage Sleaze








Early work by Bill Wenzel which already has his horny hallmarks! Well-rendered and shapely females confuse empty, shallow male buffoons. These date to the late 1940s and appeared in, I believe, earlier forerunners of the Humorama digests shown in my last post. The babes were already pretty hot, but they don't have either the splendid shades of his "middle period" nor do they look like the poured out pieces he sold in droves during his later years. Good work, and all showing every bit of their age. These are smaller as well, each being drawn on a scrap about 6 x 7 rather than the standard 11 x 14 which came, I also believe, with his success.


Set of original drawings by Bill Wenzel, circa 1945-1950 Collection Jim Linderman
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Humorama! Collected articles on Humorama

The Story of Humorama

Humorama Vintage Sleaze Humorama Romp Jest Gaze Zip Gee-Whiz Snappy Stare Digest Pulp Gags and Gals From Martin Goodman & Abe! Timely Features











The Humorama line was but a teeny tiny offshoot of Martin Goodman's media empire known as Timely Features. Goodman eventually produced Marvel comics, and umm...Best Love Magazine, but his first bucks were made with pulp western tales in the 1930s. Cowboys, horses, bandits and oats were good for Goodman, and he was eventually responsible for nearly 100 monthly titles. Enough to turn the nation's virgin forests into a pile of pulp to be delivered to your local newsstand on a regular basis. Today the vast majority of them are in landfills, but a loyal group of fans stick them in bags and file them in boxes.


Humorama was the dirty comics and pasty pin-ups sprout of Timely Features, a mere speck in Goodman's vast empire of stapled popular ooze. Actually, he let his brother Abe run the show. Martin made big bucks on True Detective type stuff and the Marvel line, but Abe's Humorama line delivered enough dough to sustain a dozen titles every month for YEARS.


Most of the Humorama digests had onomatopoeia titles. Reading the list sounds like a Three Stooges soundtrack. Extensive bibliographic records for the rags seem to be missing...I guess the Library of Congress was more concerned with National Geographic. Each issue delivered 35 cents worth of cuties and cartoons. You would think the endless number of titles published would saturate the market, but they were dirt cheap to produce and the artists were paid big squat. So were the models, I presume, which included the likes of Bettie Page and Julie Newmar alongside a hoard of country-raised "starlets" who never made it. Who knows how many great-grandmothers have a crusty issue of Zip or Snappy in the attic with their brief moment of fame in their briefs. Someday someone will scan each issue, index the names and make them famous all over again.


Some of the cartoonists already are...Bill Ward, Dan DeCarlo, Bill Wenzel, but a hundred more you've never heard of. I'm doing my best to give them a little attention. Below is a list of the Humorama digests, and above a fist full of issues from the vintage sleaze bookshelves.


Breezy • Cartoon Parade • Comedy • Eyeful of Fun • Fun House • Gaze • Gee-Whiz • Humorama • Instant Laughs • Jest • Joker • Laugh Circus • Laugh Digest • Laugh Riot • Popular Cartoons • Popular Jokes • Romp • Stare • Snappy • Zip

Group of Humorama Timely Features Digests circa 1958-1967 Collection Victor Minx
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HUMORAMA Jim Linderman and Vintage Sleaze articles on Humorama art and artists are collected HERE
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